Works
large ensemble
Distorted Arches (2025) for orchestra, 9’30“
3.3.3.3.-4.3.3.1.-timp.+3.-pno. hp.- str.
Recording
Resurgence (2024) for wind ensemble, 6’51”
Reflections on a Maryland Autumn (2023) for sinfonietta, 9’30”
Lingering Effects (2022) for wind ensemble, 6’30
Divergence (2019) for orchestra, 6’
3.3.3.3.-4.3.3.1.-timp.+3.-hp.- str.
Welcome Sun (2017) for orchestra 4’32”
Chamber Ensemble
Fields of Motion (2026) for flute, clarinet, violin and piano, 4’50”
Recording
Distension (2023) for string quartet, 6’ 30”
Recording
Delineation (2022) for bassoon, violin and piano, 7’56”
Mallet Quartet (2021) for two marimbas and two vibraphones, 9’
Synthesis (2020-21) for pierrot ensemble, 7’25”
Insistent (2019) for flute, clarinet, trombone, vibraphone, violin, cello and piano, 1’ 50”
Crowded Gardens (2018) for flute quartet, 3’16”
Jagged Time (2018) for clarinet, violin, cello and piano, 5’38”
Solo
Union (2021) for solo clarinet, 5’30”
Miniature (2022) for solo piano, 4’
Drips and Snaps (2020) for solo bass, 5’38”
Voice
Abandoned Homestead in Watauga County (2023-2024) for baritone voice and cello
text by Ron Rash
Carina (2022-2023) for two sopranos and two mezzo-sopranos
I would I might forget that I am I (2021) for SSMATTBB choir, 3’54”
text by George Santayana
A Bed for the Night (2019-20) for soprano, violin, viola, cello and piano, 4’30”
text by Bertolt Brecht